Julia Reck put together a Bi Gift Guide via thread on Twitter. Scroll through the responses to find something nice for you or someone you know. While you’re at it, make sure to pick up one of Jen Bartel’s pins before they’re sold out!
Tee Republic shop Queer Enough has shirts confirming and affirming your queer identity, and the identity of anyone reading them!
RPG Worldbuilding is enough work without hammering out every mechanic. Use these free systems to kickstart your next universe, without the number’s game.
Open Legend is a stripped down rules system with a focus on collaborative story telling. This makes it ideal for those that want their RPG universe to flow with mythology and lore more than physics and condition tables. What is truly outstanding for this system are the level of development that has gone into its tools.
Let’s start with the basics: in order to interact with the gaming world, you need character! Open Legend Character Builder gets you rolling with an interactive character sheet plus tutorial. It’s also a great guide for anyone looking to design their own sheets in the future.
For those who would rather look to the stars, Stars Without Number offers endless possibilities for worlds and encounters. The rules PDF is available free. Set centuries after communication between planets has been cut off, Stars offers the possibility to build and expand a world all its own before introducing it to another one as technology pushes toward the galactic scale again.
Fate is a system designed to mold to whatever genre you want to explore. It’s lighter on dice interaction, heavier on narrative, and ideal for mishmashing genres until you get the characters you’ve always wanted to know. While Fate has plenty of base rules systems to offer, it’s best suited for intimate interactions between characters and spaces than epic architectures or Tolkienesque wars.
This was just the most timid of toe touches into RPG worldbuilding. We’re looking forward to bringing more resources for you to shape your settings into exactly what you imagined, not to mention tips on how to run them.
The world of role playing games are ripe with seemingly endless possibilities to make your game tactile, more visually engaging, or more easily accessible. One of the most basic tools is the map. Whether for the RPG world, the characters’ homebase, or an encounter, maps instantly pull PCs into the setting and start the game’s movement and engagement mechanics going.
RPG resources are popping up on all platforms. Instagram account Fantastic Maps has excellent how-tos to assist with fleshing out those encounter areas, or populated regions. Check out the classic town map tutorial as a starting point!
For a quick fix on a pick up game, check out this city map generator, complete with auto filled in guild sections. The creator accepts donations for creating and hosting this awesome tool. Give if you can!
Placing NPC and PCs on your RPG map can be just as important to setting the scene. While colored stones, painted wood game pieces, or even just torn paper may do the trick, there’s little more fun in the world of 2D representations of 3D space than fulling illustrated tokens. Some users have created free templates for NPC tokens that you can print yourself from popular games with Dungeons & Dragons. Roll Advantage has provided a free tool to design your own for a more personal touch.
If you’re anything like me, you’ll have as much fun playing around with these tools as you will using them in game!
This week I’ve been thinking a lot about inclusion and representation in genre media and gaming. Enjoy the selections below:
Charlie Jane Anders writes about an Ava Duvernay interview where she talks about the perspective she brings to her adaptation of A Wrinkle in Time. In it, Duvernay discusses her niece, who is “the real Meg.” It’s important for people of all ages to see themselves depicted in media, but for children most of all.
Leona Vivalis towers over her party members, with sable hair and violent eyes…
We all remember our roleplaying first game and trying to come up with a way to quickly introduce our characters. Young Adult Fantasy, and many older adult titles, have us trained to describe them in terms of their looks: striking eyes, bold hair, maybe the glint of their weapon of choice. But does that really give the other players cues for interacting with them?
Below I offer 3 questions I use to open my campaigns that have nothing to do with elvish good looks.
What are your pronouns?
This one may seem obvious, but sometimes it’s all in how you ask. I remember the first time I was at a con so many years ago and a GM asked “male or female?” when I told them what class I’d chosen. It felt like a revolution had happened. I present femme, so before this point it was assumed by everyone I’d be playing a female character.
Similarly, when the 3rd edition Dungeons & Dragons books dropped, my brothers and I immediately noticed how they switched off pronouns when giving character examples. It was new and unique, but all of that feels dated, now. Relegated to my preteen and teenage years.
Now when I run a game, I ask for the characters’ name, class, pronouns, and race (if applicable to the rules system). It also opens up my players to flesh out their presentation in-game. My RPGs are played first person, so when I address or talk about a character, I try to stick to those pronouns and use their names only.
These identifiers don’t have to come into your game as a point of interaction with NPCs at all, but as a collaborative experience, it’s important to understand and respect your players and their characters.
How do you enter the room?
The tavern is classic. It’s tried and true. You’re players are in the tavern. How did they get there? Leave the answers up to them, prompting where necessary.
Did they throw open the door, try to slip in unnoticed? Does everyone there know their name? Are they a stranger? Maybe they’re uncomfortable in bars, because they’re usually at home taking care of mom. This question easily leads to other character development and narrative questions.
Can they hold their ale? Does this lead to an adventure, or just the other players learning a little too much about each other’s backstories? Who else is listening to the conversation at their trestle table?
How did you get yourself in this situation?
When I Game Mastered a pacifast session of Dungeons & Dragons, all of the characters woke up in jail. My first question: “How did you get here?”
Just that simple. There may have been some edits necessary, and one character woke up completely hungover with no memory (“roll to remember” is a fun dynamic to insert here), but it immediately put everyone into their characters’ mindset.
Let me know what questions you ask to get your players ready to interact with each other as characters!
Recently, I was speaking to a friend about how to “break in” to freelance writing, which naturally led to writing for RPG/tabletop games. I’m not an expert on the latter subject, but I know a lot of writers who are.
One thing you can do is get your name out there! Start with what you know: start by writing about games! While primarily focused on video games, FemHype offers some of the best and most inclusive criticism on the web! If you’re a female or non binary identifying gamer, you can pitch to them here: https://femhype.com/submissions/
Another way to get yourself known is to write in the genre you want to create games or adventures in. There are lots of anthologies and short story magazines around to, but Yes Poetry recently announced they will be accepting short stories, the weirder the better.
For the more experienced, or those looking to dive right in, Tabletop Gaming News also hosts an up to date job board.
Finally, I Need Diverse Games has posted their 2018 scholarship program. The submission period ends December 14th, 2017. 25 passes to the 2018 Game Developers Conference in San Francisco will be awarded to the lucky recipients!
My grandmother is 76 years old and played Dungeons & Dragons when it came out in the 70s. I wish I could distill every cool thing she is, but this interview is just about that one thing.
(My grandmother is taking her medicine during the first part of this interview, thus the background noise.)
Not thinking outside the box, and the rule playing and everything.
And I realize that’s how I was educated, in school. Never encouraged to go- ‘this is the way you do it, this is the answer. No, that’s foolish, you do it this way.’ That’s- especially grade school.
Really? So you think that that affected your playing Dungeon’s & Dragons?
Yeah, it affected my thinking. I mean I can see how the training- it’s so cool now kids are given this creative, creative license.
It’s, yeah I know, very much. And I don’t know how much of that was cold German,* I don’t know how education was, then, or what they did in the neighborhood schools. I don’t know.
Right. That’s interesting. Oh, I remember what I was going to ask you. Finish your water and I’ll-
Bob had journaling. I had a hard time. I did not understand what journaling was.
So. Oh, so as far as it being created in Wisconsin, Dungeons & Dragons, do you know anything about the people who created Dungeons & Dragons, or do you, did you hear any stories about who made it?
So it was just a prepackaged game that you got?
Was there- when you were playing, was there ever a time when you thought, ‘Oh, this is more, this is a boy, boy game,’ or like if this was-
Oh, no, not in this house. No such thing.
Although I have to say I did bend a little bit into the culture. John had a doll.
A couple dolls. And I was just thinking, ‘Oh, that’s pretty nice.’ He had older sisters, so it was legitimate to him to have a doll.
And then I got mad at myself for even thinking that. Because I had a girlfriend who had a son and she bought him a doll.
A baby doll to play with.
Yeah like Nick, Nick had his two baby dolls. Those were his favorite toys. He has always wanted to be a Dad, you can tell. Of course he’s the first one to have a child.
Yes, yes, yes.
Yeah, okay so there was no- and like playing the video games, you never thought like you know, I am- you know, why would women want to hack this monster to pieces?
No. No, no. No. Never considered it.
Have you heard of that since? Has that been an idea that you have heard of from other people?
Oh, yes. Yeah. Definitely. They didn’t know what, you know. And I never understood, but see I wasn’t brought up that way. I was always brought up that-
The immediate family. Other parts, distant relatives, cousins and that, they would, and aunts and uncles and that, ‘Oh, that’s not something you should be doing.’ Well, why not? You know.
But my mother was very much, and my grandmother was very much, ‘You do what you’ve got the talent for and what you can do.’ Nothing about male and female roles.
Right, okay. When you were, so where did you hear that, you know, especially for video games and for Dungeons & Dragons, any even Science Fiction, did you ever hear that women shouldn’t read Science Fiction and that that’s something men write, and men read? Was that ever an idea you heard of?
Okay. But for the video games? Where were you hearing that that was, you know, like a boy activity? Was that from the media, or was it like your friends? Or just the time?
I want to say just the time with that talk. And girls just didn’t do that. It was more like they weren’t interested in that. I never thought it’d be, if you shouldn’t be doing that.
Or that it was a boy’s role. It was more like, well they didn’t have the interest, they didn’t care.
Okay. When you were playing Dungeon’s & Dragons, so you thought it was really cool to play a woman, you know, a magic user.
Yeah, that may be a little bit of the background I didn’t pick in the end. I wanted to be a woman, a woman in power.
Right, yeah, so that’s-
How I thought about it then, I don’t quite remember.
Okay. When you were reading, or playing, when you were playing those video games, did you ever interact with like, or playing Dungeons & Dragons, the idea of like powerless women. Like damsels in towers that you have to rescue, or, you know, women who you were offered their hand in marriage or something. Was that ever something that entered into those storylines? Or was that not the kind of games that you played?
I don’t think they were the kinds of games that we played. But I probably would have- I mean, I’m not trying to say that I’m completely liberated, but,-
I was very much affected by the culture I was in, but when I personally wanted to do something and that, I never thought, ‘well, no I’m a girl, I can’t do that.’
Okay. When you were looking at, like, the art for Dungeons & Dragons, do you remember any of the art? -I think that’s you.
(answers phone, interview paused.)
So as far as the art for these games, for like the roleplaying games, did you ever, especially in the 70s when you guys were playing, did any of it bother you at all, or was it just Fantasy art as far as you were concerned?
It was like Fantasy art. I don’t, never felt, anything that ‘oh that’s bothersome’, or you know. The closest thing was the David Bowie album- Diamond Dogs.
Diamond Dogs, that bothered you?
Alright. That’s awesome, so as far as being able to play a female character in Dungeons & Dragons, so a woman character, was that a totally new thing for you, or was it just, like was that something novel for the game for you? Is that something that drew you?
I think so, yes. I would say there was something novel about it. Yeah, I think so, I think I was happy to do that, because I thought there, ‘Oh, okay, I can do this.’
Yeah, I think so. I really can’t add to that, I guess.
Yeah, that’s okay.
As you can tell, I’m not really deep thinking here. I was very accepting of, you know, whatever the game was. I never, especially pictures, I mean, that’s art work. I never really…
Well, you sound like an ideal player, if you were just ready to go with whatever was happening in the game. That sounds, you know, like what every GM wants the players to do.
Yeah, because sometimes- yeah, sometimes they challenge you, or they decide, ‘oh, yes, we’re gonna go off on our own and we’re gonna look behind this door that was locked, we’re gonna kick it open.’ Even if the GM doesn’t want them to go there.
I mean, there’s arguments that you shouldn’t give them the option, then but-
That’s, that’s kind of cool. That’s creative.
It’s creative doing that.
Did you ever do anything like that when you were gaming, or was it always very, ‘This is what we are told we’re doing, and I’m going down this hallway because I was told I was doing that’?
Okay. Awesome. Well yeah, that’s- I mean, was there anything else you wanted to share about your experiences, or your memories of it?
I remember being interested or exciting about it, because it was something new.
And it was all very much being with the family.
Right, a group experience.
Yeah, doing that. RIght, yeah.
Is it something you would be interested in doing now?
Yes and I probably would approach it differently. Yes, I would be interested in doing it now.
Would you be interested in going to conventions now? What do you think? Because there are whole conventions around just gaming.
Well, I would be interested in that to see if I liked it, if that’s interesting, if that’s something – oh, sure. It’s a new adventure.
That’s a great attitude. Alright, well thank you, that’s all I had.
You’re very welcome. I hope it’s helpful to you.
It was, thank you.
You’ve got me thinking, now. You’ve got me thinking.
Got you thinking about it? That’s good. Have you played any roleplaying games on the internet since those have been coming out?
No. They’ll take- I don’t remember the name of the game. They’ll take a game and they’ll make it like mahjong. Is that how you pronounce it?
But the pictures are monsters.
Oh, I think you had a World of Warcraft one?
Yes, that’s it.
And you recognized that?
I still do it.
You still play your World of Warcraft mahjong? That’s a lot of fun. That’s cool.
And I’m really too chicken to get anymore games, because I’m always afraid of getting a virus.
Oh, we could set you up. Do you ever play Fantasy or SciFi games on your Wii or anything? Or on any of those consoles?
No, no I don’t have any games like that.
Okay, would you be interested in those games?
Sure, it’s just that inaction on my part. I’m not seeking-
Yeah, no worries.
It out and that, and doing- you know, because I play the Wii. That is part of the physical therapy. I play because of the physical therapy.
So, but I just never seek it out.
There are some great starship horror games that came out.
Would you be interested in those? What do you feel about horror games?
Yeah, I don’t know about what the horror would be.
You’re alone on a starship, and it is very dark, and there are things crawling around.
Doesn’t that sound fun?
Well, that would be fun, because that’s not real. I mean, I’m not afraid in my house. That’d be fun, because then that would get you.
Or not get you.
Yeah. Or you would be-
Yeah, I would do fantasy.
Okay, interesting. Alright, well thank you.
*My grandmother was born in Milwaukee, WI like me, but is 100% German.
This week feels like it has stretched on into eternity, but here we are, on Friday! My Dad just joined Twitter, have you? Tweets are some of the best ways to get solid information on inclusive gaming, better GMing, and learn about new rules systems.
For instance, this morning I came across this excellent tweet by a gamer working to make it more accessible for those who are blind:
For blind gamers you can ask Siri on the iPhone to roll up to 2d6 or just say "Siri give me a random number between 1 and 20" You have a D&D die roller. Please Retweet this so the blind RPGers & people who care about them hear this. Twitter RPG people lets spread the word please?
This use of technology can be used by a variety of people, as noted by some of the commentators:
Also useful for those with other language related difficulties such as those who can speak the language but not write/read it so well or certain visual problems like dyslexia and so forth. Also some dice don't work for the colorblind too.
Don’t ban phones from your table just yet, and get those mauls rolling!
The hashtage #GMTips on Twitter is also full of helpful aids for making sure your game is accessible. It’s in reference to a show hosted by GM Satine Pheonix, but others are also posting their own tips.
Jesse Galena shared a post on presenting options to your players, and accepting the options your players present to you as a GM. It’s great article on balancing the interaction between the god-like role of Game Mastering and creating a story you want to be a part of as a player.
Have more tips on must-reads and better inclusivity at the table? Comment below or email firstname.lastname@example.org.
Dungeons & Dragons latest editions included guidance on defining your character’s gender identity and how that fit within the setting. This was covered by The Independent,as well as Kotaku, where game designer Jeremy Crawford is quoted as saying “I wasn’t about to have this book go out and not acknowledge that people like me exist.”
A throwback, but this post from Improved Initiative goes above and beyond by providing some actionable suggestions on taking your characters farther. With “The 5 RPG Characters We Should Stop Playing“, Neal Litherland breaks down archetypes we see players picking up again and again, for better or, more often, worse.
If you have not already, please fill out our November survey. This month is all about connecting with other gamers, and how we find members of our party.
To be notified when the data from last month’s survey is posted, the new one is available, and of what interviews were posted the month before, please sign up for our Newsletter.
What started you on your adventure? Did your first time at the table result in a TPK? Was your weapon of choice a frying pan? Please share an amusing story from your first roleplaying adventure, or just what your first RPG character was by filling out the contact form below! Stories can also be emailed to email@example.com.
If you have not already, please fill out our November survey. This will provide valuable data about gaming populations and how they connect with each other. The results will be posted next month!
To be notified when the data from last month’s survey is posted, the new one is available, and of what interviews were posted the month before, please sign up for our Newsletter.